Television

Television is a telecommunication medium used for transmitting sound with moving images in monochrome (black-and-white), or in colour, and in two or three dimensions. It can refer to a television set, a television program, or the medium of television transmission. Television is a mass medium, for entertainment, education, news and advertising.

Television became available in crude experimental forms in the late 1920s. After World War II, an improved form became popular in the United States and Britain, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion. In the mid-1960s, color broadcasting was introduced in the US and most other developed countries. The availability of storage media such as VHS tape (1976), DVDs (1997), and high-definition Blu-ray Discs (2006) enabled viewers to watch recorded material such as movies. At the end of the first decade of the 2000s, digital television transmissions greatly increased in popularity. Another development was the move from standard-definition television (SDTV) (576i, with 576 interlaced lines of resolution and 480i) to high-definition television (HDTV), which provides a resolution that is substantially higher. HDTV may be transmitted in various formats: 1080p, 1080i and 720p. Since 2010, with the invention of smart television, Internet television has increased the availability of television programs and movies via the Internet through services such as Netflix, iPlayer, Hulu, Roku and Chromecast.

Television (Dr. John album)

Television is a studio album by New Orleans R&B artist Dr. John.

Track listing

All tracks composed by Mac Rebennack; except where indicated

Personnel

Television (Television album)

Television is the eponymous third album by American rock band Television. The album was released in 1992, fourteen years after the band's second studio album and subsequent break up in 1978. A video for "Call Mr. Lee" was filmed and aired on MTV to limited play.

Reception

Television has generally been well received by critics. Rock critic Robert Christgau wrote "I prefer the more rocking, songful old Television, but it's a tribute to Tom Verlaine's conceptual restlessness and force of personality that in a world where alternative guitar means making noise or mixing and matching from the used bins, these four veterans have regrouped with a distinct new sonic identity. Droll, warm-hearted, sophisticated, cryptic, jazzy yet unjazzlike, they sound like nothing else—except, just a little, old Television". David Fricke of Rolling Stone wrote that "It was worth waiting fifteen years." Milo Miles of The New York Times wrote "Trying to adjust after a long layoff, these musicians have assembled a scaled-down Television, though one with exquisite design details."

Afrika

Afrika may refer to:

People with the surname

See also

Afrika (song)

"Afrika" is a B-side song of the third single by Serbian new wave band Električni Orgazam and the second single from the Lišće prekriva Lisabon album. The lead vocals on the track were done by Ljubomir Đukić. The song was never covered but appeared on live releases and compilations.

Track listing

Both tracks written by Srđan Gojković

Personnel

External links

Afrika (artist)

Afrika (real name Sergei Bugaev) (born 28 March 1966) is a Russian artist.

He was born in Novorossiysk, on the Black Sea, and in the early 1980s moved to Leningrad, where he met and became friends with leaders of the art scene there, such as the painter Timur Novikov and musician Boris Grebenshchikov. Shortly thereafter he adopted the artistic moniker "Afrika" and began working as an artist himself. In 1987 he starred as Bananan, the lead character in the groundbreakingly avant garde film Assa by Russian film director Sergei Solovyov.

Afrika works mainly in performance and installation art. His 1993 project "Krimania" took the form of an initial performance, which involved the artist spending three weeks in a mental institution in Simferopol, Crimea, at the end of which he staged an exhibition for the patients and staff of the hospital.

The second part of the project was a major exhibition at the Museum of Applied Arts in Vienna (MAK), entitled "Krimania: Icons, Monuments, Mazáfaka." The work addresses the issue of collective versus individual identity of the Soviet citizen after the breakup of the Soviet Union.